Lord Byron and GenreEdited and introduced by Naji B. OueijanISBN: 9789953558370 (pbk.)
|
||
License | ||
This book is distributed under the terms of the Creative Commons Attribution + Noncommercial + NoDerivatives 4.0 |
||
This volume includes selected proceedings of the 38th International Byron Conference, Notre Dame University, Lebanon, early July, 2012. Articles are devoted exclusively to Byron’s handing of the poetry and prose genres, specifically in Childe Harold’s Pilgrimage, Don Juan, his Oriental Tales, and other significant works, as well as to his journals and letters. Articles concentrate on Byron’s unequivocal use of satire as basic genre and on his modern projections, manipulations, and use of poetic modes. The impact of Byron’s genre on European and world literatures is also discussed in a few articles exposing Byronism as an ever-growing world literary discourse. يضمّ هذا الكتاب مداخلات لمحاضرين شاركوا في المؤتمر العالميّ الــ 38 حول اللورد بيرون الذي عقد في جامعة سيّدة اللويزة أوائل تمّوز 2012. تركّز المداخلات بشكل خاصّ على اتقان بيرون للشعر والنثر ولاسيّما من خلال قصائده، رحلة تشايلد هارولد والحكايات الشرقيّة، وملحمة "دون جوان" وسواها من الأعمال المعبّرة فضلاً عن يوميّاته ورسائله. وتتناول من منحى آخر هجائيّة بيرون واختباراته واستعمالاته لضروب الشعر، وما كان له من تأثير بارز على مسار الآداب الأوروبيّة والعالميّة كما ليس عند أحد سواه.
Lord Byron and genre
TABLE OF CONTENTS Table of ContentsAcknowledgments • Introduction Naji Oueijan • Byron, a Poet Sans Frontières John Clubbe • Byron and Genre Bernard Beatty • Byron and Modern Epic: Childe Harold and Don Juan between Fact and Fiction Martin Procházka • Byron and the Genre of Marginalia Jonathan Gross • Byron and Nature: Was Byron an Eco-Poet? Rosemarie Rowley • Byron and Shape Changing Shobbana Bhattacharji • Beppo’s Comic Rhymes Itsuyo Higashinaka • A United Front of Satire which Byron and Shelley Formed in Italy Hiroshi Harata • Psycholinguistic Analysis of Lord Byron’s Satire Samuel Abrahamyan • Byron’s Reflection of the Frame-Tale in The Giaour Savo Karam • Byron, the Siege Genre and the Joys of Reading “Statistics, Tactics, Politics and Geography” Joshua D. Gonsalves • The Vampire of Folklore and Fiction: Polidori’s The Vampyre and James Malcolm Rymer’s / Thomas Presket Prest’s Varney the Vampire Katherine Kernberger • Don Draper’s Byronic Style: Romantic Vampirism, Fashion and Capitalism in AMC’s Mad Men Piya Pal-Lapinski • Byron, Milton, Chateaubriand, and the Martyrology: Suffering for Truth’s Sake Joan Blythe • Don Juan’s Form as an Outlook Marcin Leszczyński • Lord Byron’s The Prisoner of Chillon and the European Style Maya El-Hajj • The Siege of Corinth and The Siege of Nicosia; or the Fall of Mustapha Nora Liassis • Byron and the Archival Influence on Biography and Autobiography David McClay • Byron’s Image During the Greek Civil Conflict 1944-1949: The Story of “Lord Byron Company of Students” Andreas Makrides • Chinese Intellectuals of the Mao Era: Zha’s Translation of Don Juan Qingbao Song • The International Byron Society (IBS) Then and Now: A personal Reminiscence John Clubbe Contributors Index |